SAUNDARYA LAHARI
INTRODUCTION TO VERSES 36 THROUGH 41
Verses 36 through 41 refer to stable psychophysical states of consciousness, conventionally named Chakras in the discipline of Yoga. Chakra means “wheel”. Sometimes, instead of being called a wheel, we find the same states of synergetic equilibrium called Adharas, which would suggest a foundation or basement. Fixing the psycho-physical self attentively on a certain type of syndrome or synergism, based on the cancellation of reciprocal functions, is also sometimes called a Bandha, which would suggest a knot or binding force. There are Bandhas of this kind known to Yogic practice, such as Mula Bandha and Udyana Bandha. Vital tendencies could be controlled and cancelled out through the regulation of breathing exercises, where again two opposing tendencies are intended to be cancelled out or neutralized. Each Chakra or Adhara represents a psycho-physical point of equilibrium, attained at various level of the dynamism between the self and the non-self.
The most characteristic description of Yoga would be the word nirodha, which, in this context, means “restraint of the outgoing mental processes”, which, through chains of natural associations, keep the mind distracted and wandering from one item of interest to another. Patanjali's definition of Yoga is based on this concept of restraint (nirodha) (Yoga Sutras; I; 2)
Each Chakra or Adhara represents a point of psycho-physical equilibrium attained at various levels of the dynamism as between the self and the non-self.
According to Patanjali, there are eight stages (astanga) by which a Yogi practices the discipline of meditation (II; 29). This begins with the lowest physical limit, where control is indicated by the word yama, meaning “withdrawing inward of tendencies”. After yama comes niyama, which applies to a slightly higher level of the personality, and which means “restraint or control conditioned by rules”. Then comes asana, which refers to the correct posture for restraining the mind. Pranayama, the fourth stage in the process, refers to the regulation of the outgoing and ingoing breaths, in order to subdue or make less obtrusive the vital tendencies which are at the basis of the function of breathing, so that they do not obstruct the process of meditation (dhyana) which is one of the stages to follow. The next stage of Patanjali's Astanga Yoga is pratyahara, which is a negative process of withdrawal - from the side of the non-self to the self – of the outgoing tendencies. The next stage, the sixth, is dhyana or meditation, where a first-degree participation is established between the self and the non-self. Dharana, which is given as the sixth stage in the Yoga Sutras, underlines a sustained state of dhyana. Finally, the eighth stage is called samadhi. The word sama suggests equality and -dhi suggests intellect. The intellect is thus expected to attain to a certain equality or equilibrium with itself. The cancellability of the self and the non-self is implied here.
When we think of the subject of Yoga in the context of Indian spirituality, the most canonical or authoritative textbook, which all correc scholars or practitioners have to keep in mind, is Patanjali's series of aphorisms called the Yoga Sutras. Although Patanjali is thus an authority, his Yoga, which is also sometimes called Raja Yoga, is considered defective in the full context of Advaita Vedanta. Patanjali's Yoga is not countenanced with favour in the Brahma Sutras of Badarayana, nor in the Yoga Vasishta, which is perhaps the latest authoritative textbook on Yoga, as its name itself seems to claim. In it there is an explicit disavowal of the Astanga Yoga of Patanjali, when Sri Rama is asked by his Guru, Vasishta, to treat his own teaching as the final authority, Vasishta speaks in terms of sapta bhumikas, or seven grounds in consciousness, which he names and defines elaborately in more than one place. The main objection to the Patanjali system of Yoga by Vedantic texts such as the Bhagavad Gita, is that its epistemology and methodology are necessarily vitiated by their being based on the Samkhya dualism of Kapila. As between Kapila and Patanjali and their respective schools of Samkhya and Yoga, there still persists a vestige of duality between prakrti (nature) and purusha (spirit), which is essentially the same as between matter and mind. Advaita, on the other hand, cannot tolerate even the slightest taint of duality between these two factors. The avowed purpose of Advaita is to abolish all duality; whether between causes and effects, means and ends, or between disciplines and their results. The fourth and fifth chapters of the Bhagavad Gita are specifically directed to the purpose of cancelling the duality between Samkhya and Yoga.
Verse 4 of Chapter 5 of the Bhagavad Gita goes to the extent of saying that only children think they are distinct disciplines. Patanjali's Yoga itself has been commented upon by Vyasa in what is known as the Vyasa Bhasya, which is an attempt to abolish the taint of duality implied in Patanjali's original approach and which persisted within its core as a genetic element of error. The well-known Bhojavartika of Bhojaraja and the Tattva Vaisaradi of Vacaspati Misra pushed this revaluation still further and Advaitic notions of Yoga have also been revised and updated in the writings of Sankara and Narayana Guru.
It is true that the Saundarya Lahari refers in these six verses to what might seem at first sight to be six conventional Chakras, Adharas or Mudras, each implying a stable attitude of the psycho-physical self. Ontological aspects, when implied, would justify the term Adhara, while a more teleological state of equilibrium would be more properly referred to as a Chakra. The term bandha might apply to a discipline conceived under Hatha Yoga, which refers to a very wilful form of physical control and is only indirectly important to Yoga, which should be properly understood from a more neutral standpoint. Some textbooks refer to four kinds of Yoga: Mantra, Laya, Raja and Hatha. Mantra evidently refers to the muttering of magic syllables, while visualizing ideograms that belong to them. Laya does not depend upon the nominalistic aspects of Yoga, but refers to an intimate form of merging the mind so as to dissolve the duality between object and subject. The term "Raja" is used in the Bhagavad Gita to underline a discipline in Yoga which is public and experimentally valid, as when we say “the royal road”. Raja Yoga thus corresponds to a normalized discipline of Yoga, neither too esoteric nor too exoteric. We have already indicated the peculiarity of Hatha Yoga. Whatever the type of Yoga one might be interested in, there is always a subtle cancellation of counterparts implied, when Yoga is treated as a discipline in the most general terms, as we have already indicated at the end of our comments on Verse 33.
THE FRAME OF REFERENCE IMPLICIT IN THE CHAKRAS
If Yoga is a discipline to be practiced at all, it must necessarily have a frame of reference, which itself must have a status that is both physical and psychic at once. Space, whether subjective “inner space” or objective “outer space”, is necessarily made up of various elements which must have a relational togetherness between them. If we try to think mathematically, this idea of the togetherness of the inter-related elements would suggest to us a pattern which could be formally visualized as a “mathematical object”, as Hilbert would call it, whether that object is visualized in geometrical terms, or merely conceived in terms of algebraic signs. The same thing could be viewed conceptually or perceptually. At the negative levels, perceptual forms are natural to the mind. At positive levels, conceptual relational togetherness or unity is also equally possible to think of as an idea. Letters of the Greek alphabet can be used to indicate points of intersection between lines. Just as a graph can verify a formula, so geometry can verify algebra. Modern cybernetics is based on this possibility. Machine language could be codified and decodified. Thus we arrive at the possibility of a relational frame of reference for all yogic meditations, however varied. This is, according to us, what Sankara suggests in his Sri Chakra in Verse 11, though it is true that there the Sri Chakra is presented in its statically-conceived mathematical form as a ready-made cliché, so repugnant to the philosophy of Bergson. This does not mean, however, that Sankara is not aware of its dynamic version, as revealed in Verse 7. Chakras, Adharas, Bandhas or Mudras are thus to be understood as stable points of an equilibrium that could be established within the amplitude of a parameter that we could postulate as existing between the lower or Alpha limit and the higher Omega limit of a total situation proper to the world of yogic discipline. What is true of yogic discipline could be equally true of Tantric or semantic discipline by extrapolation or interpolation, permissible by mathematical convention. The six Chakras, having the names Ajña, Visuddhi, Anahata (not mentioned by name), Svadhisthana, Manipura and Muladhara, conform to the conventionally understood stable centres (synergisms or syndromes) within the total psychological makeup of the individual.
Various textbooks on Yoga define and describe these Chakras or Adharas with an endless variety of subtleties. To enter into these would be to court disaster through “confusion of tongues” in a verbose forest of words, otherwise known as “Babelization”, in biblical language. In order to avoid falling into such a dire predicament, it is recommended that we steer our own speculation clear of the Scylla and Charybdis involved here.
We have already indicated that, as an Advaitin, Sankara could not countenance any dualistically tainted school of Yoga theory. Various questionable textbooks on Tantra esoterics refer to Chakras and Adharas, and describe them in terms of fires or phalluses or petals of different colours and numbers too numerous to examine cursorily, or even enumerate. The voluminous writings of Sir John Woodroffe give us an example of such material, to which could be added many others, derived from schools of Tantrism, whether Bengali, Tibetan or of the monsoon west coast of India, extending from Ujjain down to Kanya Kumari. For a complete list of the available works, one is referred to the publication of Harvard University by Professor W. Norman Brown (PP. 99 ff.), under what he calls “critical apparatus”.
We have carefully avoided entering into the deeper polemical controversies in the present study, in order to salvage this wonderful work from being lost in the ocean of verbosity whose volume is increasing as days pass by. In order to settle any controversy on such matters, it has once and for all been recommended in the Bhagavad Gita, in the words of Krishna himself, that it is the canonical texts (Sastras) that are to be treated as authorities (pramanas), (XVI; 24). Guru Vak (the word of the Guru) and Sastra Pramana (the authority of the canonical scriptures) are the two final touchstones for doctrinal validity or acceptability. For our own part, we have avoided getting lost in the bypaths of Tantrism or textbooks of Yoga, however much each might claim to be more secret or profound than another. Our enquiry would never come to an end were we to follow them.
We have used for reference two Upanishads which we have come across, one of which is called the "Saubhagya Lakshmi" and the other the "Yogaraja". The first is included in a translation of the Shakta Upanishads by Dr. A.G. Krishna Warrier, published by the Adyar Library. The second appears in the Upanishad Samgraha, published by Motilal Banarsidas, New Delhi. The very fact that these two texts claim to be Upanishads must be sufficient guarantee that they are fully acceptable to Vedantins. What is more, both of them use the word “Brahma Chakra” or “Brahma Randhra”, thus bringing into the picture the notion of the Absolute, which is a sure indication that the context is that of the Absolute and not any other lesser discipline, such as that of Kapila, Kanada or Gautama. Tantrism, which gives primacy to the Goddess, would not normally speak of the Brahma Randhra either.
VERSE 36
AJNA CHAKRA
(MEANS: COMMAND OR POWERS OF ABSTRACTION OR WILL)
THE SUMMIT OF MEDITATION
INTENSE INTELLECTUAL CANCELLATION
AN UPWARD TENDENCY
तवाज्ञचक्रस्थंतपन-शशिकोटि-द्युतिधरं
परंशम्भुवन्देपरिमिलित-पार्श्वंपरचिता।
यमाराध्यन्भक्त्यारविशशिशुचीना-मविषये
निरालोके உलोकेनिवसतिहिभालोक-भुवने
tavajna chakrastham tapanasasikoti dyutidharam
param sambhum vande parimilita parsvam paracita
yam aradhyan bhaktya raivisasi sucinam avisaye
niraloke'loke nivasati hi bhaloka bhuvane
I adore that Shiva ultimate, placed in your willing centre (Ajna), shining with the brilliance
Of millions of suns and moons, whose flanks are illumined by the light of the intelligibles beyond
Whom, worshiping with devotion, lifted beyond the reach of sun, moon or fire;
In that shining domain above all need, one lives indeed in that bright world of light.
Hardly any tangible item or aspect of beauty, whether in term of line, light or colour, is suggested in this verse, which refers to the first and foremost of Chakras (basic wheels), to be placed at the positive limit of the vertical parameter. Boundless light seems to be the only factor that is specially underlined here. Reference to sun, moon and fire, as also to transcending worldly necessities or evils seem to be emphatically emphasized in this verse.
Transcendence has unmistakeable primacy over immanence here. A fluorescent form of brilliance is referred to, which seems to adorn both sides of the vague and almost mathematically pure figure that is intended to emerge into view after one has read each verse as a whole. The Absolute can be viewed both in its immanent and transcendent glory, at one and the same time.
Between immanence and transcendence we could imagine degrees of reciprocity, complementarity or compensation. Even when numerator factors predominate over denominator factors, or vice-versa, it is still possible to perform that final operation proper to the highest intuitive faculty of the mind, in which the full cancellation of counterparts could take place. Even the distinction between higher and lower Brahman becomes abolished in the light of such a cancellation. Although incidentally examined here under the aegis of the willing centre (Ajña), the content, at whatever centre it might be, has to remain the same. It is always a foregone conclusion in Advaita Vedanta that there should not be any internal or external difference in a finalized notion of the Absolute, when considered by itself, in itself, for itself and through itself. The lowest Chakra, Muladhara, and the highest, Ajna or Sahasrara, indicate only incidental attributes of the absolute substance which remains the same, whatever else might be subject to change. This is an epistemological presupposition fundamental to Advaita Vedanta which the reader should keep in mind as applicable to this or any other Chakra to be described hereafter.
1. "Shiva ultimate" (param sambhum)
Param means "ultimate". Sambhum is Shiva. Shiva represents an auspicious value when he is not thought of as a mythological divinity of the Hindu pantheon. When the notion is pushed in the direction of the Omega Point of the vertical parameter, as high as the mind of the votary can reach according to his mental capacities, we attain to the status of a notion of the Absolute which could be said to mark the thinnest mathematical point of absolute or general possibility to the mind of any man. Such a possibility exists in the human mind. Mathematics as a science could not have been developed without such a faculty being normal to human beings.
2. "Ajna chakra"
As a convention in Yogic literature, a "willing centre" is generally referred to as being placed between the two eyebrows. The physical need not correspond strictly to the psychological monomark. We have to keep in mind only the overall structural implications here. Some texts might attempt to clarify the contents of this centre by using comparisons taken from a biological context, as when we refer to the petals of a lotus flower. Sometimes they use the language of polygons, which could refer to crystals, stars or even snowflakes. The points of the compass, whether 4, 8 or 16, could be referred to as rays or tips of petals, pointing upward or downward. The symbols of the Lingam (phallus) and the Yoni (womb) could also be seen conventionally to be used to indicate proto-linguistically the content of each centre. The reader is asked to scrutinize the legend and chart in the appendix to verify for himself the component elements that are meant to be included within each of these conventional centres. In doing so he should note there that the "Saubhagya Lakshmi Upanishad" and the "Yogaraja Upanishad" have to be viewed complementarily in their description of the Chakras, in an ascending or a descending order respectively. Whatever the order might be, the result of the cancellation, as we have said, is meant to be the same non-dual Absolute represented by the Sri Chakra, at least in static terms. It is meant to be merely a frame of reference. Dynamism could be introduced into this static relational pattern according to the intuitive imagination of gifted men of wisdom, whether philosophers (manisin) or poets (kavi).
3. "Millions of suns and moons" (tapana sasi koti)The reference to innumerable suns and moons is to show that quantity does not count when higher generalities, in terms of points on a parameter, are involved. Zeros added to either side of a unit number, when they exceed six, tend to have a qualitative rather than a quantitative significance. When the sun is placed at the Omega Point and fire at the Alpha Point, it is easy to locate the moon between them on the same parameter. The moon also figures below, in the third line. It has to occupy a real position between what is conceptual and what is perceptual, which could be no other than the O Point. Multiplication past the O Point is qualitative, beyond the perceptual grasp. It is lifted to the conceptual side. When children play, they are very intrigued with this. A child will call another by a degrading name and then say : "I take it back", which cancels the original harm, His two statements are not of the same order. The first is actual, but the second lifts the conversation to a conceptual status.
4. "Whose flanks are illumined" (paramilita parsvam)
At sunset sometimes one can see a cloud that is illumined from the opposite side. This silver lining of a cloud suggests the same kind of bilateral fluorescent light. Buildings like the Pentagon are suggestive of the same kind of glorification intended here. Ida and Pingala, which are the left and right nerve strands running from the lowest to the highest point on the left or right side, represent this aspect of the light of consciousness in conventional yogic literature. Sankara avoids such technicalities, because structuralism itself could become a fetish in the hands of persons who are not adepts in using such language.
5. "Beyond the reach of sun, moon and fire" (ravi sasi sucinam avisaye)
The Ajña Chakra under consideration here is evidently meant to refer to the positive or non-self side of the Absolute. Pure mathematical concepts cannot be tainted by factors which belong to the necessary side of life. Fire, as we have said, marks here the O Point of the scheme. Being raised above the O Point is a sure guarantee that all items of necessity, suffering or sin have been left behind negatively and thus transcended. The reference to the "world of light" in which the votary lives is thus justified.
ADDITIONAL COMMENTS WITH STRUCTURAL DIAGRAMS RELATED TO THIS VERSE FROM SAUNDARYA LAHARI/NOTES.
Tava - Your
Ajna chakra stham - as placed in Your willing centre
Tapana shashi koti dyuti dharam - shining with the brilliance of millions of suns and moons
Param shambhum vande - I adore the transcendent Shiva
Pari milita parshvam parachita - whose flanks are illumined by the light of the intelligibles beyond
Yam aradhyam bhaktya - whom, worshipping with devotion
Ravi shashi suchinam avishaye - lifted beyond the reach of sun, moon or fire
Niraloke loke - in that domain above all need
Hi bhaloka - in that bright domain of light
Bhuvane nivasati - indeed he dwells in that bright world as his world.
A GENERAL OVERVIEW OF THE CHAKRAS
though Visuddhi could not be found.
1 - Anahata - related to sound
2 - Swadhisthana - inborn
3 - Manipura - navel, pit of stomach
4 - Muladhara - mystical circle above the organs of generation...root or cause.
5 - Sahasrara - a hole at the top of the head like an upside-down lotus.
"The Shakta Upanishads, specifically the Saubhagya Lakshmi Upanishad - are all esoterics. I am not an esotericist or a Theosophist."
Later Upanisads are often highly sectarian: this was one of the strategies used by sectarian movements to legitimate their own texts through granting them the nominal status of being upanishads and thus worthy of respect. For the most part, the canonical Shakta Upanishads are sectarian tracts reflecting doctrinal and interpretative differences between the two principal sects of the Tantric form of Shaktism. As a result, the many extant listings of "authentic" Shakta Upanisads vary in content, reflecting the sectarian bias of their compilers. ED)
Sankara has revised and revalued the whole subject and given eight centres or Chakras that can be seen from the points of view of the disciplines of psychology, cosmology and theology.
Six Chakras are found in the Saundarya Lahari.
Sankara can be trusted as one who knows about this subject, because he has critically treated the Prasthana Treya - the three canonical works of Vedanta: the Bhagavad Gita, Upanishads and Brahma Sutras.
Ajña Chakra is intense thinking in the world of mathematics: it is infinity.
-
Fire must be in the middle, because it is here, in our homes.
"Pure" means abstract; it means practical, that's all.
Quantity, when pushed to its limits beyond the possibility of thinking, becomes quality.
Mathematicians do many things by convention, such as 1/0 = alpha.
What is one? Or zero? Or infinity?
Here we have intensely intellectual cancellation in the mathematical mind.
In your Visuddhi Chakra, crystal-clear and sky-generating,
I adore Shiva and the Goddess also, with a parity of status with Shiva,
By whose combined streaming, moonbeam-like fluorescence,
With banished inner dross, like a female partridge, the world hereunder shines.
The female partridge is used by the poet to indicate the negative part of consciousness.
Contemplation means a slightly dim or subdued, subjective world.
Visuddhi means pure or clean, but not effulgent, like Ajña.
This light is more subdued, fluorescent in quality; closer to the consciousness of the partridge.
In this verse there is 2/2 cancellation instead of the high-pressure 1/1 cancellation of the Ajña Chakra.
Imagine the Chakora (partridge) as a bird which has moonlight as an exciting factor in its life.
Of the lotus blooming within the consciousness of certain great ones,
Moving within whose mind as a result of their elaboration, the maturation
Of the eighteen arts takes place, freed from dross, their goodness extracted as milk from water.
We can imagine here an ordinary city garden, where there are two swans in a pond.
Art is interesting and worthwhile for human life, like milk.
Water is negative and milk is positive.
Milk is negentropy and water is entropy.
Negentropy is reverse entropy. It means things becoming more in order.
Time in science is defined as the direction of entropy. This makes it very hard to talk about ideas of time that would apply to negentropy or its effects.
Life is considered to be negentropic because it takes things in less order, like dead food, and turns it into things in more order, like cells in the body, tissues, and organs. In doing so, it gives off heat. The outside or skin of an organism is always at maximum entropy because it is removing heat. ED)
This is the cancelling point.
The Numerator is specific: the particular art that humans enjoy.
The Denominator is the meshwork of all the arts.
Anahata means "never killed, whole"
Ever looking on it as the great fire of doom, and placing there her also
Called Samaya, so that when the worlds are burning due to his anger,
Her mercy-moist regard renders to it the cooling touch of early spring..
A breeze can cancel the heat of summer; the cool morning can cancel the fatigue of hot lovers after a ten-hour night of lovemaking.
This is common in Kalidasa: one drop of water from the cloud is enough to cancel the fatigue of the prostitutes who have wounds on their bodies from over-passionate camel-drivers.
You can put cancellation at any level. Cancellation by oneself: two aspects of ontology in the Svadhisthana Chakra.
I adore that dark cloud of yours as traversed by forceful lightning,
Banishing darkness and shining, bursting into sparks with the varied gem-decked maturity of Indra's bow;
While over the three worlds agonized by the heat of Shiva-sun, it sheds its showering waters.
This is the full delight of a crashing, smashing thunderstorm:
this is almost real and phenomenologically valid experience known to everybody.
The terrible thunderstorm is glorious like Kali - a state of mystical wonder.
Manipura means, "full of gems".
Given to her light-step dance as also that great bold-step dancer;
Giving expression thereby to all nine aesthetic interests; thus by their joint lordship,
By mercy intending the rebirth of the world, they confer on it the renewed status of having both father and mother..
Put yourself in the position of a year-old child crawling on the floor, badly wanting a mother and father - both of them have a necessary function.
That gives the proper perspective for this Chakra.
Marriage is not a joke; even Shiva has to come down to give a father and mother to the world, where children badly want someone to cry to.
A father is required, especially for girls.
There is a weakness between father and daughter.
Frustration in childhood from cruel parents is really a disaster in one's life.
The worst cruelty - the saddest thing - is when the father beats the sixteen year-old girl for kissing a boy in the village; they will walk out and die to make the parents sorry.
The copulation is the horizontal aspect, which is incidental.
There is no abstraction and generalization there - it is a p...(?)
ADHARAS:
A Chakra is a "wheel"; Sahasrara and Muladhara are opposite in status - teleological and ontological respectively.
Sahasrara is not referred to as an Adhara, but as a Chakra,
Muladhara is the opposite, it is not technically a Chakra.
We have the advantage now of using modern mathematical language, rather than the poetry and myth, used traditionally in India, as in this case of the Chakras.
For example the perimeter of a conic section was described as a row of bees in ancient times, rather than in terms of geometry, as modern science would: cf. The "chose mathématique" of Hilbert.
An Adhara is a feeling of enjoyment within you.
This distinction can be made now in the light of the modern mathematics of "formalism", the structural mathematics of Hilbert and other modern mathematicians.
The guiding idea behind formalism is that mathematics is not a body of propositions representing an abstract sector of reality but is much more akin to a game, bringing with it no more commitment to an ontology of objects or properties than ludo or chess. This idea has some intuitive plausibility: consider the tyro toiling at multiplication tables or the student using a standard algorithm for differentiating or integrating a function. It also corresponds to some aspects of the practice of advanced mathematicians in some periods—for example, the treatment of imaginary numbers for some time after Bombelli's introduction of them, and perhaps the attitude of some contemporary mathematicians towards the higher flights of set theory. ED)
Everything in unity is too thin to think about.
- take away one from the pure mathematical abstraction of ten Chakras which is too thin to talk about: leaving nine.
- take away another one of less abstraction for more real content, leaving eight.
- take away two more in the name of the concrete to see them as the climate - the six seasons.
- take away two more to make the four basic elements - earth, air, water and fire, as the most tangible and real ontological solidity.
Axiomatic truth, without content (an axiom has no content),
and Factual truth, which has content.
You can use latitude between them as Sankara does, by giving both Sahasrara and Kulakunda as separate Chakras.
EDITORIAL NOTE: The following lists of Chakras and related diagrams is only provided as an example of traditional lore relating to the Chakras - it in no way represents the views of Nataraja Guru.
The diagrams below are reproduced exactly from the original text of the Saubhagya Lakshmi Upanishad and Yogaraja Upanishad, as found in the "Saundarya Lahari Notes" file and, likewise, are not the work of Nataraja Guru nor do they represent his interpretation of the Chakras.
" By meditating on these Chakras day by day, you will gradually attain Siddhis (psychic powers)"
This means NO CANCELLATION
NO ABOLITION OF PARADOX.
This is exactly what Sankara revalued. Make no mistake about this;
SANKARA DOES NOT FOLLOW THE STANDARD TANTRA OR YOGA TEXTS.
Where is the Tantra here?
"People talk about Tantra and Chakras and Adharas, but I was born in India and have seen all the literature and I say this is all nonsense.
But there must be a source in a sufficiently old text from which both these Upanishads have drawn this information, since there is some agreement between them; they appear to be older than Patanjali."
2 - A phallus in the centre is a Shiva principle, a vertical axis.
3 - Hypostatic and Hierophantic are described by a lotus right side up and upside down.
4 - The two last ones (limits) have the word "Brahman" (the Absolute) - they have an interchangeability of status.
5 - Increasing polygons.
He only describes one Mudra, which is like a Chakra - a mind gesture.
That is Khechari Mudra, a psychophysical attitude that abolishes fatigue and sleepiness.
9. dhyanamantantarbhruvordrstirjihvagram lambikordhvatah
yada syatkhecari mudra nidralasyadinasini
When meditation with gaze fixed between the eye-brows
And the tongue-tip touching beyond the uvula (takes place)
Then happens (khecari mudra) that space-freedom attitude
Of drowsiness - and fatigue - dispelling capacity.
Woodroffe's "Kundalini Shakti" is all bosh! Where does he get it? From what source book?
In his ten verses on Yoga in the Darsana Mala, Narayana Guru does not even mention Chakras.
"I want to get shot of this thing, you can go on talking and talking...you can go on mystifying things..."
Sankara gives a normalised picture and a still more normalised picture is given by Narayana Guru in his ten verses on Yoga in the Darsana Mala, where he completely bypasses the kind of vague picturesque language called Chakras.
The last word on the subject of Chakras is: all this is so much baloney.
Sankara is the only man who made an attempt to put order into the subject of Chakras.
The Divine Life Society and everybody talks glibly of Chakras, but they do not take the trouble to define or explain anything of what they say according to any philosophy.
Nine as a basic number of Chakras is accepted by Sankara in two respects in Verse 11, thus perhaps agreeing with the nine Chakras of the two Upanishads here.
A Shiva Lingam (phallic symbol of Shiva) with a Yoni (female symbol of Shakti, the Devi) is to be kept in mind, because they represent Shiva and Parvati - the only subject of Tantra Shastra.
The Father of the Universe has his penis penetrating from the other side into the vagina of the Mother.
The juice of the orange is formed from two opposite sides, which can be seen in cross-section.
Horizontal maturation occurs between these two limits.
The Navel of the Yoni, the Mother's limit: there are two depressions in every fruit, marking the two references - positive and negative.
It takes nine months of maturation for a child - it is a kind of fruit.
In the Indian Marriage ritual where a coconut is broken open, the coconut is a protolinguistic element...break it exactly into two pieces along the equator... a garland represents the whole range of yourself...a Hindu marriage, with the exchange of garlands means that the spouse belongs completely to the spouse - a serious thing... Purna Kumbha (the offering of a coconut etc.) is a tantric ritual.
One of these Upanishads is called by the name of a male god, the other by a woman's name - they are the same except for methodology, so there is perhaps a basic agreement.
Sankara also has his poem, Shivananda Lahari, which, in the same way, has the methodology of the Saundarya Lahari reversed.
The two lists are inverted because one refers to the eternal feminine and the other to the eternal masculine.
The fact that it is called an Upanishad means that you have to prove that it is not dignified.
An Upanishad deals by definition with the subject of Brahman.
The authenticity of other texts, like those found by Woodroffe, is debatable.
8 - The Wheel of the Brahma Orifice: Nirvana, a thread of smoke and the seat of wishes, the Supreme Brahman.
7 - The Wheel of the brow: a thumb-measure, the eye of knowledge, like the shape of a tongue of flame.
6 - The Wheel of the Palate: the void = the mind dissolved.
5 - The Wheel of the throat: Anahata = the unstruck note, four fingers, the Ida on the left, the Pingala on the right.
4 - The Wheel of the heart: eight petals facing downwards, a central phallus of light - a swan enchants all.
3 - The Wheel of the Navel: the Manipura, a whirlpool serpent, a crore of suns rising like lightning.
2 - The Wheel of Swadhisthana: a west-facing phallus.
1 - The Wheel of Brahma: the basic wheel.
Put the two verses together: this is a dialectical revaluation of the Saubhagya Lakshmi Upanishad.
They are parallel instructions to meditate on.
Numerator and Denominator sides are both supplied.
2 - Svadhisthana: a lingam, a coral-coloured sprout, churning the whole world. A lingam facing west.
3 - Nabhi (navel): the world is now inside, outside-in and inside-out like five loops of lightning, all Siddhis (psychic powers).
4 - Hridaya (heart): a swan, a happy disposition, pleasing, not uptight or spaced-out, comprises the whole world.
5 - Kantha (neck): Ida (left) and Pingala (right), right and left -handedness.
6 - Taluka (uvula): the tenth orifice (why?), Sunya = emptiness, (to be meditated upon)
7 - Bhru (brow): a Bindhusthana, emits light.
8 - Brahma Randhra (hole, passage): gives Nirvana, thin smoke, and watery-blue consciousness.
9 - Vyoma (sky): the Devi, the feminine principle of ultimate knowledge, spiritual perfection.
V9 - Sahasrara
V36 - Ajña
V37 - Visuddhi
V38 - Twin Swans
V39 - Svadhisthana
V40 - Manipura
V41 - Muladhara
V10 - Kulakunda
"Black Hole"
And severally the nine of prime nature, with eight and sixteen petals,
Three circles and three lines are thus complete
The forty-three elements that make up your finalized angular refuge.
The Sri Chakra is a mathematical relational set-up, not to be mixed up promiscuously with the aesthetic value of Beauty Appreciation.
Verse 79
For Your waist, naturally slim, fatigued by weight of bust form,
Bending by form and on the point of breaking,
Equal in state to a tree on a collapsing brook bank;
O mountain-born one let there be security forever.
But the Sri Chakra is not a sentiment; it is a mathematical structure suitable for analysis.
The "black hole" and the "white hole" are mathematical entities, not actual entities or existent values.
There is no beauty in the Sri Chakra itself; there must be line, light and colour for aesthetic appeal; the Sri Chakra has only line.
You cannot cancel unless you are on one side or the other:
If there is no bias towards one or the other side, then there is nothing, it is all cancelled.
Underfocus means the subjective side.
Correct focus means what?
TAT TVAM ASI is not beautiful or anything.
To see anything beautiful you have to under- or over-focus:
In between there is nothing; don't talk!
the essence of double assertion as a limiting instance.
the essence of double negation as a limiting instance.
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either ascending: "cogito ergo sum"
or descending: "believe in Jesus".
Deductive reasoning works from the more general to the more specific. Sometimes this is informally called a "top-down" approach. We might begin with thinking up a theory about our topic of interest. We then narrow that down into more specific hypotheses that we can test. We narrow down even further when we collect observations to address the hypotheses. This ultimately leads us to be able to test the hypotheses with specific data - a confirmation (or not) of our original theories.
It is foolish to attempt to eradicate sex from your system.
If you do eradicate sex completely, you will die on the spot.
2- Parity
What is the guiding principle in giving a content to these terms?
The secret of chirality or handedness is that there is a complicated non-mechanical geometry between the right hand and the left hand:
Why can't a tailor make you a glove from its mate?
Why is that? It is a secret of the universe.
The intuitive approach is what reconciles the experimental approach and the axiomatic approach.
Sankara knows epistemology, methodology and axiology better than anyone else, which is evident from his Bhasyas on the Prasthana Treya (his commentaries on the Upanishads, Gita and Brahma Sutras).
But Sankara even abolishes this duality and attempts to make male and female come closer together: he presses physics and metaphysics closer together.
A slight asymmetry is necessary for epistemological and methodological purposes in order to describe it, because at the core of the Absolute there is nothing to say...if you don't allow me starting postulates, there is nothing I can say... if you want to open your mouth, you must open it with methodology.
Ajña Chakra: he has shunted off the too-theoretical Chakras because they are too intellectual, in Ajña you will feel something glorious; it will have an effect on your nervous system.
Vedanta is not idealism, it is real - meaning that it is experienceable, you should feel something wonderful.
Mystical feelings are felt by the child in the womb; it is in a mathematical state with subtle feelings to match.
It cancels all of the suffering for the whole night: that is the secret called cancellation.
Sva-adhisthana = "one's own foundation": your own basement, depending on yourself from the bottom, where the Devi is found.
Advaita rejects this kind of telling stories. Instead they give more down-to-earth examples, like a beautiful thunderstorm.
Isn't that beautiful? Isn't it the Absolute?
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A dance between Nataraja and the dancing girl Kandukavati in the Dasakumaracarita, such as the alternating intensity between the lips and the truth.
There is fire at the Alpha point in the vagina of the female.
These are the two elements of the Sri Chakra.
These Chakras cannot be finalised with this kind of language (metalanguage)...
A myth is a kind of lingua mystica; a special language which conveys an experience by analogy, parable, fable or figure of speech. A literary device to convey something other than what it actually says.
Sankara takes the older idealisation and symbolism of mythology and revises it, giving a picture you can verify, because it is correlated to the range of real experiences available to every man in the world, because related to the seasons (Chakras).
Sankara is against idealisation.
He has normalised the Yogashastra (texts on Yoga).
That is the beauty of it.
When he uses mythology, it is only a thin veneer, which does not hide the structure that he wants to reveal.
He avoids the use of merely mathematical symbolism - too abstract and intellectual.
There are two sides to consciousness.
Without dividing it properly, our understanding will not come to us.
The negative side is the more difficult to know: the side of the Devi's "faded lotus feet" (of Narayana Guru) - "faded" means it is suffering.
The Devi is always crying at the corner of her eyes.
A cool lotus-wafting breeze is another secret of cancellation: you cannot live in twenty-four hours of heat; but you can live nicely in only twenty-three hours, with just one hour of cool at daybreak, like Bangalore.
On a hot day, people drink more tea to make them perspire: hot inside and hot outside cancel out.
The principle of the female partridge is like the sudden change from the knobs of the elephant to the denominator side in Verse 7. It falls instantly when it touches the horizontal line.
Place yourself inside the consciousness of a female bird or buffalo; then you will get a new perspective of cancellation.
The proper perspective towards the Devi is "I am a baby in your stomach, and you are so kind to bend down to me with your milk".
This is proper Mother Worship. Not that of the Kaulins, Samayins and others.
The menses-cloth sky (as described in a poem by Kalidasa), the bending and the lotus feet that are fading - Narayana Guru adds an even more negative touch - emotionally rich - a double negation.
Having wild-doe eyes and belonging to a respectable family (Urvasi): there is an enigma.
These are found in a fourteen year-old girl fed on ragi (sorghum, the food of the very poor), not in the overnourished daughters of respectable families.
Your eyes become bright by waiting and crying: too much kissing and food makes them dull.
Sankara's descriptions and examples are so real that the lesson becomes indelibly imprinted on your consciousness.
They are the same - two aspects of the same thing.
"Is this your sense of justice, when everything is burned up? (Shiva destroys the universe with his fire) Is this a foolish request? Absurd?"
In the Tirukural (Tamil scripture) there is the example of a faithful wife able to make rain come at her request.
The Gita says that there is a cycle in which the head end of a situation belongs to the tail end; the head and the tail end have a relation between them.
Steady State or Big Bang: which is correct? Both, in a certain kind of unified cosmology, which is known to Descartes and Bergson, as in "Durée et Simultanéité" where the spring of a watch unwinding slowly is vertical and the striking clock is horizontal.
Enjoying love becomes suffering in love when the girl changes her mind. When she is tired of the positive love affair, she wants the negative one: rest.
("...somebody you don't have to talk to...")
A love affair is always changing: you want it, then you don't want it.
(Kiss the boy...then slap the boy).
- copulate half the night, and then turn away to rest.
This is like the surfeit of sweetness of the female partridge.
There is mechanism of alternation between morality and immorality.
To live in a fool's paradise of morality like Paramahansas and North Indian Yogis is absurd.
This is the figure-eight.
He is transcendent and full of light.
These two sides are illumined by the light of intelligence which shines from above.
"...lifted beyond the reach of sun, moon or fire in that shining domain above all need..."
"Alone" means thin, unpopulated.
There is no company around you to share your thoughts at the Omega Point.
"Indeed" - he lives in loneliness indeed.
Such a man who worships lives in this state.
The only reference to the Devi here is that he lives in "Her" Ajña Chakra
Loneliness is the point here.
In the light of intelligence, there is One alone, transcending phenomenal factors.
This light is pure, having nothing to do with Sun, Moon and Fire.
The Sanskrit text is - tavanya chakrastham tapanasasikoti...etc.this is Ajña Chakra, not Sahasrara, as in many texts.
The man who worships Shiva is residing in the Ajña Chakra.
Shiva himself will reside in the Sahasrara Chakra at the very top - beyond the two aspects of Numerator and Denominator - in pure consciousness - the "intelligibles beyond".
But this is the purest level - thus, the pure light of intelligence.
The Devi's world begins at the bottom and ends at the top.
Shiva's world begins at the top and ends at the bottom.
They are complementary, and cancel out at any level.
The Absolute is the value - with the two simply as counterparts.
Drawings of the Chakras - Six, with the Sahasrara as the seventh.
When this is done, you abolish paradox - at every stage - into stable consciousness; this is what is called a constant.
This equilibrium at any level is something like a ceiling light, which can be adjusted upwards and downwards on a vertical cord.
Manipura - filled with gems - slightly precious, like quartz crystals - one degree removed from ordinary earth.
Svadhisthana - is its own support.
Anahata - never to be killed - with a lot of life.
Visuddhi - purified
Ajna - will power: contains some of the attributes of Sahasrara
(see earlier queries about these two, ED.)
Sahasrara - thousand petaled - Sankara gives absolute status to this Chakra - it is between the eyebrows. (all sources say the top of the head, it has to be top of head, as Ajña is between the eyebrows, this is probably an error in the note-taking. ED.)
OK, we roughly understand these chakras.
- Your
- Placed in the (second of chakras from top) Ajña Chakra
- Having (wearing) the brightness of crores of suns and moons, ultimate
- I worship Shiva (of this description)
- By the ultimate mental ground, the two sides being illumined
- Whom
- Adoring with devotion
- Not within the scope of sun, moon and fire
(i.e. it is the worshipper who lives beyond the scope of all these)
- Beyond (all) ken (suffering?)
- (On that) other-worldly ground (a world that is not a world)
- Looming in consciousness
- In that domain of pure light
One half of the herbs are eaten by the natural man, but the other half of the value is above the line, and the man has to travel past the lion and the snake.
Which is more dangerous? One has to be bold with one, and wary with the other.
So the nervous system contains both a male and a female aspect - real and virtual - lion and snake.
The Yogis seem to have set up these categories to correspond with certain facilitations in the nervous system. (This must refer to the Nadis - Ida and Pingala - to the left and right of the vertical Sushumna. ED)
The man who worships Shiva as residing in the Ajña Chakra, he himself will reside in the Sahasrara Chakra ("In that shining domain above all need, one lives indeed in that bright world of light"), beyond the two aspects of Numerator and Denominator, in pure consciousness.
Aesthetics and calculations interlace here to give the highest kind of normalised poetry: the vertical is dancing, and the horizontal is fully manifested.
To abolish duality is the aim of all philosophy.
Here, he is describing a revalued Ajna Chakra, located between the eyebrows, below the Sahasrara, the thousand petaled lotus.
Sankara here begins a revue of the chakras in descending order, dealing with six only: Ajna, Visuddhi, Anahata, Svadhisthana, Manipura, and Muladhara.
- Your (of the meditator, or of the Devi).
- What is placed in the Ajña Chakra (willing centre)
- Wearing the luminous brightness of crores of suns and moons
- The Ultimate Shiva I (the author) adore
- By the higher intelligible light, having both sides clarified
(both the sides of Shiva are equally clarified)
- Such a Shiva (i.e. "whom")
- Worshipping with devotion
- Beyond the scope of Sun, Moon or fire
- What is beyond the visible
- In that lone (domain) (aloke - " a" = not, and "loke" = space; thus non-space, alone.)
- Lives indeed (i.e. the meditator lives)
- In that bright world (of intelligibles)
The Chakras correspond to:
- Mind - Ajña
- Ether - Visuddhi
- Air - Anahata
- Fire - Svadhisthana
- Water - Manipura
- Earth - Muladhara
There is no travelling gradually from chakra to chakra.
When you understand Brahman, you become Brahman.
Bilateral symmetry is recognised. The two sides are bright.
( Like a magenta spot of kumkum placed between the eyebrows, this indicates that Shiva is sitting there meditating.)
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"…shining with the brilliance of millions of suns and moons".
The sun and moon are bracketed here as celestial luminaries, presiding over day and night.
"Beyond the reach of sun, moon and fire": fire can be escaped in two ways;
down into the water, or up beyond the sun and moon.
Beyond the world of necessity there is the world of the intelligibles,
while the Devi wants to live downstairs, teaching dancing and singing to the children;
There are two worlds of light, one is of ordinary light, the other the light of double negation.
The Devi lives below in the light of double negation,
Shiva in the "world of the intelligibles beyond", in the world of normal light.
"Sun and moon"
There is a parallelogram of forces - the result is equilibrium all the same.
Ajña is lifted out of dross and impurity.
Fuse the sun and moon. "Millions" means intensity of light; beyond a certain point, quantity turns into quality.
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AJÑA CHAKRA
(MEANS: COMMAND OR POWERS OF ABSTRACTION OR WILL)
THE SUMMIT OF MEDITATION
INTENSE INTELLECTUAL CANCELLATION
UPWARD TENDENCY
Another version:
TRANSLATION
I adore that Shiva ultimate, as placed in Your willing centre, shining with the brilliance of millions of suns and moons,
Whose flanks are illuminated by the light of the intelligibles beyond,
Whom, worshipping with devotion, lifted beyond the reach of sun, moon or fire,
In that domain above all need, one lives indeed in that bright world of light.
"Shakti” means a specific function or force, as opposed to that which is mathematical and noumenal.
If anyone has any objection to this, they should tell me.
AJNA CHAKRA
(MEANS: COMMAND OR POWERS OF ABSTRACTION OR WILL)
SUMMIT OF MEDITATION
INTENSE INTELLECTUAL CANCELLATION
UPWARD TENDENCY
Another version:
TRANSLATION
I adore that Shiva ultimate, as placed in Your willing centre, shining with the brilliance of millions of suns and moons,
Whose flanks are illuminated by the light of the intelligibles beyond,
Whom, worshipping with devotion, lifted beyond the reach of sun,
moon or fire,
In that domain above all need, one lives indeed in that bright world of light.